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This is a book about the meanings we make out of pain. The greatest surprise I encountered in discussing this topic over the past ten years was the consistency with which I was asked a single unvarying question: Are you writing about physical pain or mental pain? The overwhelming consistency of this response convinces me that modern culture rests upon and underlying belief so strong that it grips us with the force of a founding myth. Call it the Myth of Two Pains. We live in an era when many people believe--as a basic, unexamined foundation of thought--that pain comes divided into separate types: physical and mental. These two types of pain, so the myth goes, are as different as land and sea. You feel physical pain if your arm breaks, and you feel mental pain if your heart breaks. Between these two different events we seem to imagine a gulf so wide and deep that it might as well be filled by a sea that is impossible to navigate.

Pain --- Medicine in the Arts. --- Medicine in Literature. --- Social Environment. --- Social aspects. --- Psychological aspects. --- psychology. --- Philosophy and psychology of culture --- Philosophical anthropology --- Sociology --- Human medicine

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Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception visuelle --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Waarneming [Visuele ] --- Optical illusions --- Scientific recreations --- Mathematical recreations --- Visual perception. --- Art, Modern --- Scientific literature --- Science --- History --- Study and teaching --- Medicine in Art. --- Optical Illusions. --- History, 18th Century. --- CDL --- 7.034 --- 18th Cent. History (Medicine) --- 18th Cent. History of Medicine --- 18th Cent. Medicine --- Historical Events, 18th Century --- History of Medicine, 18th Cent. --- History, Eighteenth Century --- Medical History, 18th Cent. --- Medicine, 18th Cent. --- 18th Century History --- 18th Century Histories --- Cent. History, 18th (Medicine) --- Cent. Medicine, 18th --- Century Histories, 18th --- Century Histories, Eighteenth --- Century History, 18th --- Century History, Eighteenth --- Eighteenth Century Histories --- Eighteenth Century History --- Histories, 18th Century --- Histories, Eighteenth Century --- History, 18th Cent. (Medicine) --- Illusion, Optical --- Illusions, Optical --- Optical Illusion --- Science in Art --- Art, Medicine in --- Art, Science in --- Arts, Medicine in --- Arts, Science in --- Medicine in Arts --- Science in Arts --- in Art, Medicine --- in Art, Science --- in Arts, Medicine --- in Arts, Science --- Art --- Natural science --- Science of science --- Sciences --- Science literature --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Mathematical puzzles --- Number games --- Recreational mathematics --- Recreations, Mathematical --- Puzzles --- Games in mathematics education --- Magic squares --- Magic tricks in mathematics education --- Amusements --- Hallucinations and illusions --- Physiological optics --- history. --- Psychological aspects --- Related to --- Visual arts --- Medicine in Art --- Optical Illusions --- History, 18th Century --- history --- Medicine in the Arts. --- 18th century --- Art [Modern ] --- 17th-18th centuries --- Optical illusions - History - 18th century. --- Scientific recreations - History - 18th century. --- Mathematical recreations - History - 18th century. --- Art, Modern - 17th-18th centuries. --- Scientific literature - History - 18th century. --- Science - Study and teaching - History - 18th century. --- Natural sciences --- Medicine in the Arts --- Art, Modern - 18th century. --- Illusions d'optique --- Illustration scientifique --- Peinture --- Art et sciences --- 18e siècle --- Documentation --- Étude et enseignement --- Europe

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Boon, Elke ; Borremans, Michaël ; De Bruyckere, Berlinde ; de Cordier, Thierry ; Devriendt, Robert ; Dillemans, Sam ; Ensor, James ; Godard, Jean-Pol ; Kamagurka ; Lazou, Mathieu ; De Maesschalck, Jan ; Raveel, Roger ; Rustin, Jean ; Schütte, Thomas ; Strik, Elly ; Tuymans, Luc ; Vandenberg, Philippe ; Vanfleteren, Stephan ; Voordeckers, Jürgen ; Warhol, Andy

Iconography --- pain [sensation] --- suffering --- psychiatry --- Saliger, Joe --- Martynova, Katya --- Kamagurka --- Borremans, Michaël --- Warhol, Andy --- Lazou, Mathieu --- Ensor, James --- Dillemans, Sam --- Gillray, James --- Muyle, Johan --- Delvoye, Wim --- Eerdekens, Fred --- Tuymans, Luc --- Board, Ernest --- Goya y Lucientes, de, Francisco José --- Raveel, Roger --- Schneller, Joseph --- Dickinson, Rod --- Cordier, de, Thierry --- Strik, Elly --- Rustin, Jean --- Rops, Félicien --- Morgan, Barbara --- Maesschalck, De, Jan --- Schütte, Thomas --- Vanfleteren, Stephan --- Devriendt, Robert --- Vandenberg, Philippe --- Boon, Elke --- Bruyckere, De, Berlinde --- Heckel, Erich --- pijn --- psychiatrie --- lijden --- geneeskunde --- literatuur --- taalpijn --- Exposition --- Gent --- Erik Thijs, Sofie Vandamme, Arko Oderwald, Bart Morlion, David Le Breton, Erwin Mortier --- kunst --- iconografie --- beeldhouwkunst --- schilderkunst --- tekenkunst --- 7.041 --- 393 --- Fotografie --- Kunstzinnige vorming (kunsteducatie, kunstzinnige opvoeding) --- Pijn --- History of medicine --- Medicine and society --- Museums for the history of medicine incl. catalogues --- Patient care --- 21st century --- Belgium --- Flanders --- Nursing --- Medicine and society. --- Museums for the history of medicine incl. catalogues. --- 21st century. --- Flanders. --- Nursing. --- pijnbeleving --- Affective and dynamic functions --- Human physiology --- Boon, Elke Andreas --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa) --- geneeskunde, medische wetenschappen --- Tentoonstellingscatalogi ; Gent ; Museum Dr. Guislain --- Freud, Sigmund 1856-1939 (°Freiberg, Duitsland) --- Kunst en anatomie ; medische visualisering in media en cultuur --- Thema's in de kunst ; mededogen ; compassie --- Iconografie ; de mens, portretten --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa). --- psychiatrie. --- lijden. --- geneeskunde, medische wetenschappen. --- literatuur. --- taalpijn.

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The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ's wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds - evidence of which survives in the archaeological record - and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe.

Wound healing --- Cicatrisation --- First Aid --- Military Medicine --- Amputation --- Histoire militaire médiévale --- treating [health care function] --- injury [medical condition] --- Wounds and injuries --- Military history, Medieval --- Treatment. --- Medieval military history --- Medieval [European] --- iconography --- Iconography --- History of civilization --- Orthopaedics. Traumatology. Plastic surgery --- anno 500-1499 --- Wounds and Injuries --- General Surgery --- War --- Violence --- Leprosy --- Blindness --- Military history, Medieval. --- history. --- Lésions et blessures --- Histoire militaire --- Thérapeutique --- Medicine, Medieval --- Médecine médiévale --- Lésions et blessures --- History --- Bibliography. --- Histoire --- Traitement --- Bibliographie --- therapy. --- Thérapeutique. --- History. --- medieval culture --- middle ages --- wound repair --- wounded body --- wounding --- medieval literature --- Early Middle Ages --- Hanover --- London --- Monumenta Germaniae Historica --- Skull --- cultuurgeschiedenis

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'Fleshing out surfaces' is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.--

Skin --- Skin in art. --- Human skin color in art. --- Art, French --- Anatomy, Artistic. --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Artistic anatomy --- Human anatomy in art --- Art --- Nude in art --- Human figure in art --- Medicine and art --- Proportion (Art) --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Psychological aspects. --- Themes, motives. --- Skin in art --- Human figure in art. --- Peau dans l'art --- Couleur de la peau dans l'art --- Corps humain dans l'art --- Anatomie artistique --- Art français --- Human medicine --- skin [animal component] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- France --- art theory, France 1600-1900. --- artistic anatomy 1700-1900. --- colour. --- flesh tones. --- history of the body. --- materiality. --- medical History, 1600-1900. --- painterly practice. --- painting, France 1700-1850. --- skin colour. --- skin.